Publikationen und Konferenzbeiträge
Publikationen
| Immelmann, B., Boddy, J., Rosenberg, R., Leder, H. & Brinkmann, H., Kandinsky's Bauhaus Questionnaire: Color-Form Correspondences between Introspection and Experiment. In: Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft. 64, 2, Feb 2020, pp. 261–287. |
| Brinkmann, H., Williams, L., Rosenberg, R. & McSorley, E., Does "Action Viewing" Really Exist? Perceived Dynamism and Viewing Behaviour. In: Art and Perception. 8, 1, 2019, pp. 27-48. |
| Boddy, J., ‘Ultra-Painting: The Polemics against Art Theory’, in: Stephanie Marchal, Beate Söntgen (eds.), Judgement Practices in the Artistic Field, (accepted). |
| Boddy, J., ‘Imagination as Evidence. Ferdinand Avenarius’s Proposal for a New Language of Forms’, in: Michael F. Zimmermann (ed.), Dialogical Imaginations. Aisthesis as Social Perception and New Ideas of Humanism, Diaphanes (accepted, in print). |
| Specker, E., Forster, M., Brinkmann, H., Boddy, J., Immelmann, B., Goller, J., Pelowski, M., Rosenberg, R., Leder, H. (2020). Warm, lively, rough? Assessing agreement on aesthetic effects of artworks. PLoS ONE, 15(5), doi: 10.1371/journal.pone.0232083 cf. https://medienportal.univie.ac.at/uniview/forschung/detailansicht/artikel/farben-und-formen-in-kunstwerken-haben-keine-universelle-wirkung/. |
| Immelmann, B.: Ambivalenz der Welle. Klang- und Farbwahrnehmung in František Kupkas Klaviertasten, See, in: Zgraja, K., Urchueguía, C. (Hg.), Klang und Stille in der Bildenden Kunst. Visuelle Manifestationen akustischer Phänomene (expected October 2020). |
| Specker, E., Forster, M., Brinkmann, H., Boddy, J., Pelowski, M., Rosenberg, R. & Leder, H. (2018). The Vienna Art Interest and Art Knowledge Questionnaire (VAIAK): A Unified and Validated Measure of Art Interest and Art Knowledgein: Psychology of Aesthetics, Creativity, and the Arts. dx.doi.org/10.1037/aca0000205 |
| Brinkmann, H., McSorley, E., Rosenberg, R. & Williams, L. (2018). Does “action viewing” really exist? The relationship between dynamic paintings and gaze behavior, Conference Paper, in: Art and Perception 6, 4, S. 173. |
| Brinkmann, H., Boddy, J., Immelmann, B., Specker, E., Pelowski, M., Leder, H. & Rosenberg, R. (2018). Ferocious Colors and Peaceful Lines. Describing and Measuring Aesthetic Effects, in: Wiener Jahrbuch für Kunstgeschichte. 65, S. 7-26. |
| Specker, E., & Leder, H. (2018). Looking on the Bright Side: Replicating the Association between Brightness and Positivity. Collabra: Psychology, 4(1), 34. DOI: doi.org/10.1525/collabra.168. |
| Specker, E., Leder, H., Rosenberg, R., Hegelmaier, L. M., Brinkmann, H., Mikuni, J., & Kawabata, H. (2018). The Universal and Automatic Association Between Brightness and Positivity. Acta Psychologica. |
| Leder, H., Tinio, P., Brieber, D., Kröner, T., Jacobsen, T., & Rosenberg, R. (2018). Symmetry is Not a Universal Law of Beauty. Empirical Studies of the Arts. |
| Leder, H. (2018). Wahrnehmung und Ästhetik bei Bühler. The Road not Taken?, in: Friedrich, J. (Hrsg.) Karl Bühlers Krise der Psychologie Positionen, Bezüge und Kontroversen im Wien der 1920er/30er Jahre, Springer International Publishing, 2018, S. 165-180. |
| Pelowski, M., Leder, H., & Tinio, P. (2017). Creativity in the Visual Arts. In: J.C. Kaufman, V. P Glaveanu, & J. Baer (Eds.) Cambridge Handbook of Creativity Across Different Domains. S. 80-110. |
| Leder, H. & Nadal, M. (2017). Curved art in the real world: A psychological look at the art of Guillaume Bottazzi. Catalogue text. www.guillaume.bottazzi.org/en/; also in French. |
| Rosenberg, R. (2016). Bridging Art History, Computer Science and Cognitive Science: A Call for Interdisciplinary Collaboration, in: Zeitschrift für Kunstgeschichte 3/2016, 305-314. |
Konferenzbeiträge
| Vortrag: “What we need is Lab Work.” A Reevaluation of Kandinsky’s Bauhaus Questionnaire on Color-Form Correspondences, Immelmann, B. 2019, 4th Art & Science Conference on empirical methods in art history and visual studies, 04./07./2020 > 05.07.2020, Wien, Österreich. |
| Vortrag: Universalismus im Genuss von Linie und Farbe bei Avenarius, Boddy, J., 2019, Ästhetischer Genuss als Metapher populärer Kunstvermittlung, Rheinische Friedrich-Wilhelms-Universität Bonn. |
| Vortrag: The idea of ‘universal’ aesthetic effects of lines and colors—historical theories on the verge of laboratory problems, Boddy, J., 2018, Perceptual Intelligence Lab-Talk, Delft University of Technology. |
| Vortrag: Who’s afraid of (studying) installation art? An empirical assessment of the aesthetic experience of Olafur Eliasson’s Baroque, Baroque! E. Specker, XXV. Conference of the International Association of Empirical Aesthetics (IAEA), 30/08/18 → 01/09/18, Toronto, Canada |
| Vortrag: Effects of context and genuineness in the evaluation of art. E. Specker, XXV. Conference of the International Association of Empirical Aesthetics (IAEA),30/08/18 → 01/09/18, Toronto, Canada |
| Vortrag: Is red warm for everyone? Assessing the agreement on aesthetic effects of artworks. E. Specker, XXV. Conference of the International Association of Empirical Aesthetics (IAEA), 30/08/18 → 01/09/18, Toronto, Canada |
| Vortrag: Does “action viewing” really exist? The relationship between dynamic paintings and gaze behaviour, H. Brinkmann, THE VISUAL SCIENCE OF ART CONFERENCE (VSAC) 2018, Triest, Italien |
| Vortrag: Ästhetik als Forschungsgegenstand einer empirischen Wissenschaft: Empirische Ästhetik. H. Leder, Tagung der Deutschen Gesellschaft für Ästhetik, 14/02/18 → 17/02/18, Offenbach, Deutschland |
| Vortrag: Does “action viewing” really exist? The relationship between dynamic paintings and gaze behaviour, H. Brinkmann, THE VISUAL SCIENCE OF ART CONFERENCE (VSAC) 2018, Triest, Italien |
| Vortrag: August Endell’s exact aesthetics of the straight line, Boddy, J. 2018, ‘Art in Academia’, a conference and exhibition organized by the Department of Philosophy and the Center for Arts and Culture, Central European University, Budapest |
| Vortrag: Artistic intentions of the Italian Pavilion, Boddy, J., Markey, P., 2017, From Theory to Practice: scientifically investigating emotions and intentions in contemporary art, Universität Wien. |
| Poster: In Search of the Cultural Eye, Hanna Brinkmann, Re:trace: 7th international conference for histories of media art, science and technology, 23/11/17 → 25/11/17, Krems, Österreich |
| Poster: Introducing the VAIAK. A new and validated way to measure Art interest and Art Knowledge, Specker, E., Rosenberg, R., Leder, H., Boddy, J., Brinkmann, H., Forster, M. & Pelowski, M. 2017, 3rd Art & Science Conference on empirical methods in art history and visual studies, 17/11/17 → 18/11/17, Wien, Österreich |
Vortrag: Using eye tracking to investigate cross-cultural differences in art perception, Brinkmann, H. 2017, 3rd Art & Science Conference on empirical methods in art history and visual studies, 17/11/17 → 18/11/17, Wien, Österreich |
| Vortrag: Introducing the VAIAK: A new and validated measure to measure art interest and art knowledge, Specker, E., 125th APA Annual Convention, 3/08/17 → 6/08/17, Washington, D.C., United States |
| Poster: Introducing the VAIAK: A new and validated way to measure art interest and art knowledge, Specker, E., Forster, M., Brinkmann, H., Boddy, J., Leder, H. & Rosenberg, R., VSAC 2017, Berlin, Deutschland |
| Poster: The Universal and Automatic Association between Brightness and Positivity, Specker, E., Leder, H., Rosenberg, R., Hegelmaier, L., Brinkmann, H., Mikuni, J. & Kawabata, H., ECVP 2017 |
| Vortrag: History of Art and Eye-Tracking Measures on Paintings in the Lab, R. Rosenberg und J. Aufreiter, International workshop: Interdisciplinary perspectives on the exhibition "Le mystère Le Nain", 30/03/2017, Musée du Louvre-Lens |
| Seminar/Workshop: New Directons in Empirical Aesthetics. 実験美学の新たな方向性, 7.-8. März 2017, Keio University Tokyo, Japan. Leder, H. (Keynote speaker), Pelowski, M. (Keynote speaker), Rosenberg, R. (Keynote speaker), Hideaki Kawabata (Keynote speaker),, Specker, E. (Keynote speaker), Brinkmann, H. (Keynote speaker), Markey, P. (Keynote speaker) |
| Vortrag: Do Kandinsky’s pictures have objective psychological meaning? Boddy, J., 2016, Graduate Student Colloquium Critical Studies in Arts and Culture (formerly known as Visual Arts, Media and Architecture), VU University Amsterdam. |
Vortrag: Why and how we use eye-tracking in art history, R. Rosenberg, XXIV. Biannual Conference of the International Association for Empirical Aesthetics (IAEA), 30/08/2016, Wien, Österreich |